STARTING OUT
TIPS for an Emerging Artist
What you "need to know"
PLUS practical advice for working as a visual / fine artist
PLUS practical advice for working as a visual / fine artist
IF YOU WANT TO BE a success as an artist....READ ON If you want to
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This section covers:
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Aspiring artists are people who want to be artists. A new artist is one who is new to creating art and/or the marketplace. However, very few will become "emerging artists" and even fewer will become "established artists" Wannabes are those who focus more on promotion than work - and may have no talent at all. Emerging artists have demonstrated some level of success in their quest to become a professional artist. They have demonstrated potential and some earnings and/or recognition by people who matter. An "established artist" for me (in the UK) is
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REFERENCE:
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Here's my definition of an emerging artist. (E) means essential; (F) indicates happens frequently
An emerging artist:
- - aims to be professional artist - having gone well beyond 'hobby artist' status while not yet an 'established' or 'mid-career' artist (E)
- - is committed to his/her practice and has worked seriously over the last 5 years (or less) to develop and promote a career as a professional artist (E)
- - has developed an original body of work with a clear identity and/or one (or more) theme(s) (E)
- - is not defined by age - because people develop second careers and take up art at various ages (E)
- - demonstrates potential AND has had some notable success - in terms of sales or awards/prizes and/or getting their art noticed and/or selected for significant exhibitions (E)
- - has a career on an upward trajectory (E)
- - may operate on a semi-professional basis - but has another job which helps pay the bills (F)
- - graduated with an art degree within the last five years (F)
- What is an emerging artist? | Making A Mark
PORTFOLIO OF ARTWORK
Do the work and develop as an artist first - and develop a unique identity. Be distinctive. You need to be original and distinctive and never ever be a "me too" artist. Those who get attention and centre stage are those who display a new way of saying something with their art. 'Me too' artists are just amateur fans - who only promote the artist they are copying. Enjoy your art - if you make it as an artist you could be doing this for a long time so find a medium or subject matter or a theme which motivates you to keep making art, Art is about application and perspiration and not just passion and aspiration. It's hard work and you have to apply yourself - because there are no shortcuts and success often only comes after a long haul. You need to ask yourself very seriously whether you have the ability, commitment and wherewithal to stay the course... Build your portfolio. Demonstrate that you can produce at least 20-30 good paintings not just 2-3. Produce enough for an exhibition. Nobody is going to take you seriously on the basis of a few paintings unless they are absolutely outstanding (and I have seen that happen - but it's very rare). What's most important is the ability to replicate early success and demonstrate consistency and the ability to keep going. That's what starts to make you look like an investable proposition and worth exhibiting and/or collecting GOOD HABITS Be disciplined and work on a regular basis. Those who make a commitment to their art and being a proper artist, turn up day after day and get on with the job of making art AND selling art. The more you work on your art and art career the easier it is to work on all aspects of becoming a successful artist all the time. (See Being a Professional Artist) Keep looking at art and keep learning about art. You need to feed your creativity and there's no better way to do that then to look at art produced by other people. Make sure you pursue a path of constant self-development - try new media, learn new skills etc. Don't take failure personally, Learn to live with rejections. If you are going to work for yourself, you have to keep trying new things until you work out what works for you. Along the way you will get a lot of experience in what doesn't work and you'll find that failure and rejection happens quite a lot. That may mean you're not good enough yet. However, artists who make it are generally those who are persistent and who keep going - because they are not discouraged by the knockbacks. |
MARKETING AND SELLING ART
You can't sell art if you don't show your art Art that is kept in your studio will never ever sell. Think of ways to get your art seen. You MUST show it on your website / blog / instagram etc. / art fairs / art competitions / open exhibitions / online websites and/or all of these. No progress is made if you just make art and then put it away. You need to tackle any lack of skills relating to communicating your art and not let these hold you back. (see Marketing Art / Sell Art) Art doesn't sell itself - you have to make that happen. Expertise in marketing is at least as valuable as being able to paint well. Some would say it's even more important as there's a fair few artists making a good income with little talent because they're really good at marketing their art. (see Marketing Art / Sell Art) Develop your social and presentation skills - You are your own best salesman. You can't hide away in your studio. You have to be able to write about your art and talk about your art. You must be able to explain your art in 20 seconds. You must conquer any innate shyness or lack of experience. People who buy art want to know about you as well as your art and you need to be able to tell them about it (see Marketing) Nobody is going to represent you until you have sold art and demonstrated demand. To start with, you need to make all the running. You need to raise your profile, find your market and make your art collectable. The era of galleries who do that for you is well and truly over. The reality is that you need to sell your art yourself before you can get others to sell your art for you. (see Sell Art) BE SAVVY ABOUT MONEY AND BUSINESSLIKE Aim to sell most of your art most of the time. Selling your art is a function of whether people like it, whether enough people see it and the pricing it right. Raising your prices too early can mean pricing yourself out of your market. The best strategy is to sell consistently all the time and raise your prices slowly over time. (see How to Price Your Art) Art is a business and you must keep an eye on the money if you want to make any! - By which I mean, keep proper records of both income and expenses and have a really good idea of what all your inputs to creating art and exhibiting art actually cost before you start deciding how to pitch your prices. Remember that you can only discount allowable expenses when calculating your pre-tax income - and it's always a good idea to work out your profit before AND after tax! Also, in the longer term you'll need to make realistic provision for a pension before you get to work out how much money you've made from your art..... (See Money & Tax) |
Learn how to find buyers, get paid ... nicely, deal with copycats and sell more art.
HIGHLY RECOMMENDED Probably a book which will appeal more to an American audience but the principles are sound. Rated an average of:
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A well organised book with a logical structure - focusing on
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The author has been an art agent for her husband since 2001. Her approach to making money from art and having a successful art business is based on doing it for real.
Paperback: 354 pages Publisher: Son of the Sea, Inc. 1st edition Publication date: May 21, 2017 BUY THIS BOOK Art Money & Success from Amazon UK
Art Money & Success from Amazon.com
Art Money & Success (Kindle Edition) from Amazon.com
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Learn how to find buyers, get paid ... nicely, deal with copycats and sell more art.
HIGHLY RECOMMENDED Probably a book which will appeal more to an American audience but the principles are sound. Rated an average of:
|
A well organised book with a logical structure - focusing on
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The author has been an art agent for her husband since 2001. Her approach to making money from art and having a successful art business is based on doing it for real.
Paperback: 354 pages Publisher: Son of the Sea, Inc. 1st edition Publication date: May 21, 2017 BUY THIS BOOK Art Money & Success from Amazon UK
Art Money & Success from Amazon.com
Art Money & Success (Kindle Edition) from Amazon.com
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“The advice I like to give young artists, or really anybody who’ll listen to me, is not to wait around for inspiration. Inspiration is for amateurs; the rest of us just show up and get to work.
If you wait around for the clouds to part and a bolt of lightning to strike you in the brain, you are not going to make an awful lot of work. All the best ideas come out of the process; they come out of the work itself. Things occur to you. If you’re sitting around trying to dream up a great art idea, you can sit there a long time before anything happens. But if you just get to work, something will occur to you and something else will occur to you and something else that you reject will push you in another direction. Inspiration is absolutely unnecessary and somehow deceptive. You feel like you need this great idea before you can get down to work, and I find that’s almost never the case.”
Chuck Close
a career as an artist is actually a continuous cycle of failure and success, not simply a one-chance deal...... Your work may not be loved by everyone everywhere, but it may very well be loved by someone somewhere, and you should work at exhibiting in as many diverse venues as possible |
10 Free Life Lessons
on being a Professional Artist
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Maggie Stiefvater worked very hard at being an artist so she could up her job, and still contribute to the family income - but work more flexibly so she could carve out dedicated time to do what she really wanted to do - be a writer.
She succeeded - as an artist and as a result - got the time required to start writing novels - and then.....
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Many artists resist the word “career,” thinking it implies a trudge along a well-worn path, with signposts clearly marked, decisions made on a calculated basis, and a long-range business plan guiding every step. |
Overall employment of craft and fine artists is projected to grow 8 percent from 2016 to 2026, about as fast as the average for all occupations. |
Becoming a Successful Artist = Hard Work |
At age 27, Vincent Van Gogh failed as a missionary and decided to go to art school. |
People who have 'stickability' are able to: |
UK / European authors
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American authors
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You need to know all the ways you can promote your own failure in the art world.
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REFERENCE
My mother: “If you have to be an artist, at least marry a doctor lawyer or architect so you can live off of their income.” -- Marina Abramovic Having spent over 20 years in the gallery business, I’ve noticed a key common trait of financially successful artists: they are constantly in the studio, hard at work. I would describe these artists as productive and prolific.
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This is a book of bite sized stories providing an insight into the realities of the art world. |
This book is a great introduction for those who are "innocents abroad" in the world of art. It focuses on practical issues, challenges and problems and has lots of useful information and stories which make you stop and think.
Susan Mumford, the author writes Be Smart about Art (her partner takes the pics). She describes herself as a game-changer in the 21st Century art world. She’s an entrepreneur, mentor, speaker and author, born and raised in the USA and now based in London I found it ideal reading matter for travelling on the tube in London. |
Paperback: 102 pages
Publisher: Be Smart About Art Publishing Date: 15 April 2015 [Note It's not available on Amazon.com] RECOMMENDED Rated an average of 4.9 out of 5 stars by 7 customers in the UK |
I asked artists who read my
'Making A Mark' blog two questions: |
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when you start talking to some artists who sell regularly, you start to see a slightly different take on productivity. Of course, it takes time to find the optimal process for your own specific work. When you make work over and over again, you find short cuts in your brush strokes, in your color choices, in how you dry your work and a thousand other little things. Some of that can only be discovered through doing the work.
13 ways to be a more productive artist | Artwork Archive
Using a makeshift easel made from a cigar box, he made a postcard-sized painting each day and posted them to his blog where collectors could bid on them via eBay
About Duane Keiser
Around about the time I started blogging about art (over 15 years ago), creating a painting each day and selling it became extremely popular due to the extreme success of:
There was an absolute frenzy of "Me Too" painters for some years afterwards. Many sought to emulate their success in terms of sales and income - but few succeeded to the same extent - although a number have made respectable incomes and importantly made the transition into galleries and solo exhibitions - while others now teach workshops and educate painters. Notable daily painters have included Carol Marine (see her book below), Karen Jurick, Lisa Daria, Qiang Huang and Stephen Magsig. |
It's important to realise that those who succeeded were
While "a painting a day" has not continued literally, the regular production of small works for auction has continued by both the leading proponents and their followers. Those who are successful produce good quality work on a regular basis and don't forget to work consistently at their marketing. |
REFERENCE
Duane Keiser's "A Painting a Day" blog has been written about in numerous publications, including:
Here are more articles relevant to those who would like to emulate what they have done
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Savvy Painter interview with Carol Marine
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This book is for
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This inspirational book is about the art and business of painting daily.
It covers:
The author, Carol Marine, is one of the most successful of the daily painters and has been painting, blogging (on Carol Marine's Painting a Day) and auctioning her paintings since October 2006 - that's well over 10 years of very nearly daily painting! Carol really knows what she's talking about and has a HUGE fan base. |
Paperback: 192 pages
Publisher: Watson-Guptill; Rare edition Date: November 4, 2014) BUY THIS BOOK |
e-Commerce for artists - the rules and the regulations - which relate both to selling online on your own account and via third parties
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PLUS the guides to what you need to do
- including the OFFICIAL GUIDES for the UK and USA which highlight the relevant Law and Regulations |
If you want to sell work online you need to work at it. Those who succeed are those who
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Haphazard production and listings which are not followed by fans will not do a lot for sales.
That's why marketing is as important as production of the art. You also need to know
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The essence of the book is to teach you how to become effective and successful by developing a niche for your art and selling it.
It pays particular attention to the requirements of marketing artwork online using email, blogging, social media and paid advertising - and how efforts online can lead to a payoff in terms of business offline. This is Cory Huff's first book and is published by the same people who published Austin Kleon's hugely popular Show your Work! |
Paperback: 192 pages
Publisher: Harper Design (June 28, 2016) Rated an average of 4.4 out of 5 stars by 175 people BUY THIS BOOK BUY How to Sell Your Art Online: Live a Successful Creative Life on Your Own Terms from Amazon.com
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You can exhibit at
The easiest way to start exhibiting your art is in the group exhibitions run by art societies. These can also lead to opportunities for Open Studios. I recommend you start with local art societies to learn the ropes and then start moving on to those which specialise in media or subject matter at a national level. You can follow my regular reviews of national art society exhibitions in the UK on my Making A Mark blog. Art competitions - particularly the national and prestigious ones - are an excellent way of getting your art noticed. They're akin to the graduation shows at good art schools - they;re where art galleries go to find out who's producing good new original artwork. Furthermore, being able to list that you've been selected for some of these exhibitions on your CV makes you a much more marketable artist from the perspective of a gallery (see below re "If you want representation by a gallery") |
"You can't sell it if you don't show it!" REFERENCE
To find out more about exhibiting art on this website, read |
If the challenge of having a career as an artist while at the same time raising a child is proving to be a challenge - do not despair!
There are a number of people who have written on this topic and have some varied and generally informative and excellent advice on how to cope. Of one thing you can be certain - you are going to be working differently in future - and valuing every minute you have for your art! There's a fair few articles in relation to being an artist and a parent which are well worth a read. |
“I’ve never heard a male artist discuss whether or not they should have children.” throughout this project, artist parents talked much more about time than money |
REFERENCE:
Organisations:
Plus in relation to making art about being a parent
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To develop your career you need to:
Produce good work, that also:
Generate art sales that can get you representation by a dealer or a gallery. They like people whose art is wanted by buyers. In other words in order to get your art sold in a gallery you have to sell your art. Get exhibited in the places where your art is going to be noticed. A great place to start are the prestigious art competitions and the open exhibitions of national art societies Get representation by having a good backstory relating to for example
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REFERENCE
From time to time, there are audits of the actual reality of life as an artist
NEED SOME HELP?
See my page Would you like me to help? if you'd like me to review an aspect of your art business, e.g.
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"Traditional galleries are never going to go away. You'll always need them, but the days of them being the gatekeepers are over,"
Duane Keiser
Getting representation by a gallery is not easy.
There's also no easy answer to the question of you get presented by a gallery. That's because changes in the marketplace are changing the economics of having a gallery and what sort of art sells via a gallery as opposed online How you get representation has also changed over time as technology has changed the way the art market works. Once upon a time you'd send slides before turning up with a portfolio. Now galleries very often review images of artwork online via websites or iPads before looking at the real thing. Things that haven't changed is that galleries like artists:
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The Covid-19 Impact on Galleries
During the Covid-19 lockdown all the Galleries were closed. They were also not first in line to reopen and in the UK people are required to wear masks. The Pros: one big bonus is that the penny has finally dropped with a lot of art galleries. They now understand that a website and social media are essential and that it is possible continue sales online - on the basis of a sale/view and return if you don't like in your home. The Cons: artists realised that they could not depend on galleries which were not tuned into the importance of online engagement STRONG RECOMMENDATION: Do not pursue an art gallery which has not got
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This is about the Online Forums which focus on the business issues relating to the visual arts
Want to ask a question or get some advice? Try asking for help in some of the Forums listed here and/or read about other people's experiences. |
Be aware that some of the answers may come from artists who may know (or think they know) only a little more than you.
I take no responsibility for and have no liability for your reliance on the information and advice offered. Please also read all relevant disclaimers on the sites listed. |
RECOMMENDED: Ones which stick to what they're about and remain focused
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NOT RECOMMENDED: Ones which say they are about business but actually they're not focused
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